Arturo Buzzi-Peccia, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine made "Lolita - Live" available on January 1, 2007. The duration of Lolita - Live is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Lolita - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Three Tenors - Paris 1998". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. Lolita - Live is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Lolita - Live by Arturo Buzzi-Peccia, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Torna a Surriento | Ernesto de Curtis, Vittorio Grigolo, Pier Giorgio Morandi | D♭ Major | 1 | 3B | 91 BPM | ||
Carmen, Act I: No.11 Finale : Voici l'order; partez (Zuniga/Carmen) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 1 | 3B | 92 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM | ||
Arrivederci Roma | Renato Rascel, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Major | 1 | 6B | 85 BPM | ||
Lolita | Arturo Buzzi-Peccia, Yuri Yakushev, Владимир Атлантов, Konstantin Krimets, Государственный Симфонический оркестр кинематографии | D Major | 5 | 10B | 140 BPM | ||
Il Trovatore / Act 3: Il Trovatore / Act 3: "Di quella pira" - Live At Central Park, New York / 2011 | Andrea Bocelli, New York Philharmonic, Alan Gilbert | C Major | 5 | 8B | 160 BPM | ||
La Verbena de la Paloma. Donde Vas Con Mantón de Manila | Orquesta Lírica de Barcelona | D Major | 4 | 10B | 67 BPM | ||
Hamlet: Hamlet, Act II: O vin, dissipe la tristesse | Ambroise Thomas, Dmitri Hvorostovsky, Andrey Azovsky, Dmitry Kuznetsov, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | B♭ Major | 3 | 6B | 168 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Piano, pianissimo, senza parlar (Fiorello/Coro/Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva, Mario Carlin | G Major | 0 | 9B | 108 BPM | ||
The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You) | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 96 BPM |
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