Gidon Kremer, Alois Posch, Julia Zenko, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov's 'Piazzolla: María de Buenos Aires, Part 1, Scene 3b: Yo soy María (María)' came out on February 16, 1998. The duration of Piazzolla: María de Buenos Aires, Part 1, Scene 3b: Yo soy María (María) is about 3 minutes long, at 3:24. Based on our data, "Piazzolla: María de Buenos Aires, Part 1, Scene 3b: Yo soy María (María)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Piazzolla: Maria de Buenos Aires". In this album, this song's track order is #4. Based on our statistics, Piazzolla: María de Buenos Aires, Part 1, Scene 3b: Yo soy María (María)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piazzolla: María de Buenos Aires, Part 1, Scene 3b: Yo soy María (María) by Gidon Kremer, Alois Posch, Julia Zenko, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Milonga del Poeta | Luis Bacalov | C Minor | 3 | 5A | 102 BPM | ||
Quien sera | Beltran Luiz, Ludwig Orchestra, Berlage Saxophone Quartet | E Major | 1 | 12B | 69 BPM | ||
Yumeji's Theme - From "In The Mood For Love" | Shigeru Umebayashi, Gidon Kremer, Kremerata Baltica | C Minor | 0 | 5A | 99 BPM | ||
Suite im alten Stil - performed on Violin and Harp: 5. Pantomime | Alfred Schnittke, Gidon Kremer, Naoko Yoshino | C Major | 1 | 8B | 112 BPM | ||
Close Your Eyes - Instrumental | Osvaldo Golijov, Kronos Quartet | G Minor | 1 | 6A | 89 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Tango - Por Una Cabeza | Carlos Gardel, Nicola Benedetti, Ksenija Sidorova, Alexander Sitkovetsky, Leonard Elschenbroich, Alexei Grynyuk | G Minor | 2 | 6A | 132 BPM | ||
Penultimate Kaddish | Giedrius Kuprevičius, Vida Miknevičiūtė, Kremerata Baltica, Gidon Kremer | C Major | 1 | 8B | 75 BPM | ||
Valzer Brillante | Nino Rota | F Major | 3 | 7B | 199 BPM |
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