"Nabucco / Act III: Va, pensiero, sull'ali dorate" by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin was released on January 1, 1983. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Nabucco by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli. The song's track number on the album is #13 out of 44 tracks. Nabucco / Act III: Va, pensiero, sull'ali dorate is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nabucco / Act III: Va, pensiero, sull'ali dorate by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Nabucco / Act III: Va, pensiero, sull'ali dorate being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse, HWV 40: Ombra mai fu | George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 1 | 12B | 135 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | B Minor | 2 | 10A | 90 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Rigoletto, Act I: Gualtier Malde … Caro nome | Giuseppe Verdi, Maria Callas, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Major | 1 | 12B | 140 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Minor | 1 | 3A | 80 BPM | ||
Messa da Requiem: Dies irae | Giuseppe Verdi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | C Minor | 2 | 5A | 79 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM |
Section: 0.7460181713104248
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