Messiah, HWV 56 / Pt. 2: "Hallelujah" - George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner Information

Acousticness: 96%
Danceability: 40%
Energy: 40%
Instrumentalness: 40%
Liveness: 21%
Loudness: 81%
Speechiness: 3%
Valence: 48%
Popularity: 47%
Loudness: -11.552 dB

Summary

George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner made "Messiah, HWV 56 / Pt. 2: "Hallelujah"" available on January 1, 1976. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields's "Handel: Messiah" album is number 15 out of 37. In terms of popularity, Messiah, HWV 56 / Pt. 2: "Hallelujah" is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Messiah, HWV 56 / Pt. 2: "Hallelujah" BPM

We consider the tempo marking of Messiah, HWV 56 / Pt. 2: "Hallelujah" by George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Messiah, HWV 56 / Pt. 2: "Hallelujah" Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Hallelujah Chorus	Treorchy Male Voice Choir	D Major	2	10B	106 BPM
Once In Royal David's City	Worcester Cathedral Choir, Robert Stringer, Raymond Johnston, Cecil Frances Alexander, Henry John Gauntlett	G Major	0	9B	105 BPM
There's a wideness in God's mercy	Maurice Bevan, St. Paul's Cathedral Choir, Malcolm Archer	B♭ Major	2	6B	89 BPM
Messiah, HWV 56, Pt. 2: Hallelujah Chorus	The City of Prague Philharmonic Orchestra, Richard Hein, The City of Prague Choir	D Major	4	10B	107 BPM
The Syncopated Clock	Leroy Anderson, BBC Concert Orchestra, Leonard Slatkin	D Major	0	10B	133 BPM
Adam Lay Ybounden	The Sixteen	D Major	2	10B	0 BPM
L'enfance du Christ, H 130 - Arr. Chris Hazell: L'adieu des bergers	Hector Berlioz, Renée Fleming, London Voices, Royal Philharmonic Orchestra, Andreas Delfs	F Major	1	7B	81 BPM
Silent Night	Joseph Mohr, Franz Xaver Gruber, London Philharmonic Choir, John Alldis, National Philharmonic Orchestra	B♭ Major	0	6B	80 BPM
Canticum in nativitatem Domini, 'Frigidae noctis umbra': Marche	Marc-Antoine Charpentier, Andrew Parrott	G Major	0	9B	85 BPM
Vom Himmel hoch: VI. Schlusschor "Lob, ehr sei Gott im höchsten Thron"	Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris	C Major	2	8B	92 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7230026721954346

End: 0.7269110679626465