"Carmen Suite No. 1: Intermezzo" by Adelaide Symphony Orchestra, Timothy Sexton was released on 2011. The duration of Carmen Suite No. 1: Intermezzo is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Carmen Suite No. 1: Intermezzo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 25 in Fanfare by Adelaide Symphony Orchestra. In terms of popularity, Carmen Suite No. 1: Intermezzo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Suite No. 1: Intermezzo by Adelaide Symphony Orchestra, Timothy Sexton is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gesù Bambino | Pietro Yon, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Adelaide Chamber Singers, Carl Crossin | A Major | 2 | 11B | 92 BPM | ||
Two Songs Without Words, Op. 22: I. Country Song | Gustav Holst, Richard Hickox, City of London Sinfonia | G Major | 0 | 9B | 82 BPM | ||
Stan and Mabel: 19. One of the Judges | Paul Rissmann, Adelaide Symphony Orchestra, Benjamin Northey | F Major | 4 | 7B | 178 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | ||
Stan and Mabel: 10. I Like the Beat of Your Feet | Paul Rissmann, Young Adelaide Voices, Adelaide Symphony Orchestra, Benjamin Northey | A♭ Minor | 2 | 1A | 118 BPM | ||
African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | ||
Earth Wind and Fire | Aileen | D♭ Major | 1 | 3B | 105 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Possum In A Trap - Recorded Live At The Adelaide Festival Theatre / March 1993 | Peter Combe, Adelaide Symphony Orchestra | D♭ Major | 5 | 3B | 103 BPM | ||
Scenes from "Mer de Glace": II. Prelude – Lake Geneva | Richard Meale, Adelaide Symphony Orchestra, David Porcelijn | F Major | 3 | 7B | 75 BPM |
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