Johann Strauss II, Kathleen Battle, Wiener Philharmoniker, Herbert von Karajan's 'Voices Of Spring, Op. 410 - Live At Grosser Saal, Musikverein, Vienna / 1987' came out on June 8, 2022. Since Voices Of Spring, Op. 410 - Live At Grosser Saal, Musikverein, Vienna / 1987 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Strauss II's "Johann Strauss II - An der schönen blauen Donau" album is number 59 out of 67. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Voices Of Spring, Op. 410 - Live At Grosser Saal, Musikverein, Vienna / 1987's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Voices Of Spring, Op. 410 - Live At Grosser Saal, Musikverein, Vienna / 1987 by Johann Strauss II, Kathleen Battle, Wiener Philharmoniker, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3 in D, BWV 1068: 2. Air | Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 173 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Die Walküre, WWV 86B / Act 3: "Hojotoho! Hojotoho!"...Ride Of The Valkyries | Richard Wagner, Birgit Nilsson, Berit Lindholm, Brigitte Fassbaender, Claudia Hellmann, Helen Watts, Helga Dernesch, Marilyn Tyler, Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti | G Major | 3 | 9B | 89 BPM | ||
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) | Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | D Minor | 2 | 7A | 94 BPM | ||
Accellerationen Walzer, Op. 234 | Johann Strauss II, Carlos Kleiber, Wiener Philharmoniker | G Major | 1 | 9B | 107 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
Carmen / Act 1: Prélude | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | D Minor | 5 | 7A | 125 BPM |
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