Ludwig van Beethoven, Alfred Brendel made "10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff": Theme: Andante con moto" available on June 7, 2021. With 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff": Theme: Andante con moto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 40 out of 167 in Beethoven: Classical Summer by Ludwig van Beethoven. 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff": Theme: Andante con moto is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 10 Variations on :"La stessa, la stessissima", WoO 73 from Salieri's "Falstaff": Theme: Andante con moto by Ludwig van Beethoven, Alfred Brendel is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto In D, Op. 61: 3. Rondo (Allegro) | Ludwig van Beethoven, Fritz Kreisler, Vadim Repin, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 74 BPM | ||
Sonata concertata in A Major, Op. 61, MS 2: III. Rondeu - Allegretto con brio scherzando | Niccolò Paganini, Scott St. John, Simon Wynberg | E Major | 1 | 12B | 122 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Sonata No. 15 in C Major, III. Rondo | Maria João Pires | C Major | 2 | 8B | 98 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
18 Études, Op. 109: No. 13, L'orage | Franz Burgmüller, Carl Petersson | D Minor | 1 | 7A | 85 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM |
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