Johann Sebastian Bach, Lang Lang's 'The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846' came out on March 29, 2019. The duration of The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Piano Book (Deluxe Edition)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846's popularity is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 by Johann Sebastian Bach, Lang Lang having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) No. 2 In B minor, BWV 1067 : VII. Badinerie | Bach Collegium Japan, Liliko Maeda, Johann Sebastian Bach | B♭ Minor | 1 | 3A | 124 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Concerto For 4 Violins In D Major, Op. 3, No. 1, RV 549: I. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Violin Concerto in D Minor, BWV 1052R: II. Adagio | Johann Sebastian Bach, Leonidas Kavakos, The Apollon Ensemble | F♯ Minor | 4 | 11A | 118 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM |
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