"Symphony No. 7" by Allan Pettersson, Norrköping Symphony Orchestra, Leif Segerstam was released on June 1, 1994. Symphony No. 7 appears to be safe for all ages as it is not explicit. There are a total of 2 in the song's album "Pettersson: Symphonies Nos. 7 and 11". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. Symphony No. 7 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 7 by Allan Pettersson, Norrköping Symphony Orchestra, Leif Segerstam having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Series II., Op. 72, B. 147: I. in B major. Molto vivace | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | F Major | 1 | 7B | 88 BPM | ||
Turangalîla-Symphony: I. Introduction. Modéré, un peu vif | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | B♭ Minor | 4 | 3A | 148 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XXIV | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 92 BPM | ||
Stravinsky: The Firebird, Tableau 1: Complete Darkness | Igor Stravinsky, Seiji Ozawa, Orchestre de Paris | E Major | 4 | 12B | 165 BPM | ||
The Snow Maiden, Op. 12, Act II: No. 10, Melodrama (Andantino, quasi Allegretto) | Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh Chauhan | A Major | 4 | 11B | 86 BPM | ||
Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | ||
Dutilleux: The Shadows of Time: IV. Vagues de lumière | Henri Dutilleux, Seiji Ozawa, Boston Symphony Orchestra | D♭ Major | 1 | 3B | 85 BPM | ||
Armida, Op. 115, B. 206, Act II: Act II: Vorspiel | Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht | E♭ Major | 0 | 5B | 83 BPM | ||
Alcazaba II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D Minor | 0 | 7A | 75 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM |
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