Carl Maria von Weber, Josef Traxel, WDR Sinfonieorchester Köln, Joseph Keilberth's 'Euryanthe, J. 291, Act III: Act III: Nein! Lasst ihn frei! (Gerard)' came out on September 1, 2014. With Euryanthe, J. 291, Act III: Act III: Nein! Lasst ihn frei! (Gerard) being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weber: Euryanthe, J. 291 (Recorded 1958) by Carl Maria von Weber, Joseph Keilberth, WDR Sinfonieorchester Köln. The song's track number on the album is #19 out of 38 tracks. Euryanthe, J. 291, Act III: Act III: Nein! Lasst ihn frei! (Gerard) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Euryanthe, J. 291, Act III: Act III: Nein! Lasst ihn frei! (Gerard) by Carl Maria von Weber, Josef Traxel, WDR Sinfonieorchester Köln, Joseph Keilberth has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Euryanthe, J. 291, Act III: Act III: Nein! Lasst ihn frei! (Gerard) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
Adagio | Tomaso Albinoni, Collegium Aureum | D♭ Major | 0 | 3B | 138 BPM | ||
Il Signor Bruschino: Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | A Major | 3 | 11B | 125 BPM | ||
Die Moldau - Mein Vaterland (Má Vlast) | Bedřich Smetana, Paavo Berglund, Staatskapelle Dresden | C Major | 2 | 8B | 95 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Emmanuelle Bertrand, Luzerner Sinfonieorchester, James Gaffigan | F Major | 1 | 7B | 131 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | B♭ Major | 3 | 6B | 89 BPM | ||
Peer Gynt Suite Nr. 1, op. 46: I. Morgenstimmung | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | E Major | 1 | 12B | 68 BPM | ||
Die Forelle, Op. 32, D. 550 - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | D♭ Major | 1 | 3B | 82 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | ||
21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor | Johannes Brahms, Camille Berthollet, Julie Berthollet, Julien Masmondet, Monte-Carlo Philharmonic Orchestra | G Minor | 1 | 6A | 95 BPM |
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