Ferdinando Nazaro, KLK Symphony Orchestra, Marko Komonko, Ferdinando Nazzaro's 'Concerto n°2 per violino e orchestra: I. Energico e preciso - Agitato - Vivace - Tempo I' came out on July 10, 1905. Since Concerto n°2 per violino e orchestra: I. Energico e preciso - Agitato - Vivace - Tempo I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in KLK Symphony Orchestra, Marko Komonko, Ferdinando Nazzaro's "KLK Symphony Orchestra: Ugoletti, Nazzaro, Procaccini, Pedini" album is number 2 out of 9. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Concerto n°2 per violino e orchestra: I. Energico e preciso - Agitato - Vivace - Tempo I is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto n°2 per violino e orchestra: I. Energico e preciso - Agitato - Vivace - Tempo I by Ferdinando Nazaro, KLK Symphony Orchestra, Marko Komonko, Ferdinando Nazzaro to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 1 | 6A | 85 BPM | ||
Ave Maria | Johann Sebastian Bach, Charles Gounod, Yo-Yo Ma, Bobby McFerrin | A Major | 3 | 11B | 81 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Vivace, capriccioso | György Ligeti, The Verona Quartet | D Major | 5 | 10B | 111 BPM | ||
Nielsen: Clarinet Concerto, Op. 57, FS 129: Allegro non troppo - | Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 1 | 2B | 57 BPM | ||
III. Presto in moto perpetuo | Samuel Barber, Leonard Slatkin, St. Louis Symphony, Elmar Oliveria | A Minor | 2 | 8A | 96 BPM | ||
Verklärte Nacht, Op. 4: 5. Sehr ruhig (bar 370) | Arnold Schoenberg, Janine Jansen, Boris Brovtsyn, Amihai Grosz, Maxim Rysanov, Torleif Thedéen, Jens-Peter Maintz | D♭ Major | 3 | 3B | 95 BPM | ||
This Too Shall Pass | Raminta Šerkšnyte, Gidon Kremer, Magdalena Ceple, Andrei Pushkarev, Kremerata Baltica | A Minor | 1 | 8A | 88 BPM | ||
String Quartet No. 1, Op. 20: I. Allegro violento ed agitato | Alberto Ginastera, Enso String Quartet | G Major | 3 | 9B | 157 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Suite for Violin and Piano, Op. 6: IV. Waltz | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM |
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