"Concerto for Piano and Orchestra in C Major: II. Larghetto" by Antonio Salieri, Orchestra del Conservatorio Cimarosa Avellino, Antonio Sinagra, Costantino Catena was released on June 23, 2017. Concerto for Piano and Orchestra in C Major: II. Larghetto is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Piano Concertos". In this album, this song's track order is #2. Based on our statistics, Concerto for Piano and Orchestra in C Major: II. Larghetto's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concerto for Piano and Orchestra in C Major: II. Larghetto by Antonio Salieri, Orchestra del Conservatorio Cimarosa Avellino, Antonio Sinagra, Costantino Catena having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armida, Atto Terzo Scena 5: Fermati, aspetta (Armida, Ubaldo, Rinaldo) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Lenneke Ruiten, Ashley Riches, Florie Valiquette | G Minor | 1 | 6A | 124 BPM | ||
Serenade, Opus 20: II | Edward Elgar, Paul Goodwin, English Chamber Orchestra | C Major | 0 | 8B | 168 BPM | ||
Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | ||
Intermezzo, Op. 119/1 | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Major | 0 | 10B | 65 BPM | ||
Horn Trio in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | E♭ Minor | 0 | 2A | 68 BPM | ||
Lyric Pieces, Book 1, Op. 12: No. 1, Arietta | Edvard Grieg, Marian Lapsansky | D♭ Major | 1 | 3B | 66 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Falstaff: Act II Scene 4: Cavatina (Duet): Ah! Signore! se sapesse (Betty, Falstaff) | Antonio Salieri, József Gregor, Mária Zempléni, Dénes Gulyás, Istvan Gati, Eva Panczel, Tamas Csurja, Eva Vamossy, Salieri Chamber Chorus, Salieri Chamber Orchestra, Tamas Pal | G Minor | 1 | 6A | 95 BPM | ||
Goldberg Variations: Goldberg Variations: Aria | Johann Sebastian Bach, Britten Sinfonia, Thomas Gould | G Major | 1 | 9B | 85 BPM | ||
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM |
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