Julie London made "Why Don't You Do Right" available on 1961. The duration of Why Don't You Do Right is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Why Don't You Do Right's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Whatever Julie Wants by Julie London. The song's track number on the album is #1 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Why Don't You Do Right is currently fairly popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Why Don't You Do Right by Julie London has a tempo of 118 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Why Don't You Do Right being at 118 BPM, the half-time would be 59 BPM with a double-time of 236 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dude Ranch Blues | Black Swan Classic Jazz Band | B♭ Major | 5 | 6B | 178 BPM | ||
Under Paris Skies | Andy Williams | G Major | 1 | 9B | 99 BPM | ||
Try a Little Tenderness | Chris Connor | F Major | 2 | 7B | 112 BPM | ||
Dreamboat | Alma Cogan | F Major | 3 | 7B | 172 BPM | ||
The Late, Late Show | Dakota Staton | A♭ Major | 2 | 4B | 132 BPM | ||
Swing Is in the Air | Bert Ambrose, Bert Ambrose Orchestra | A Minor | 5 | 8A | 140 BPM | ||
I'm Nobody's Baby | Vic Damone | F Minor | 2 | 4A | 135 BPM | ||
It Had to Be You | Ray Charles | E♭ Major | 2 | 5B | 83 BPM | ||
Gee Baby, Ain't I Good to You? | Lavay Smith & Her Red Hot Skillet Lickers | D♭ Major | 3 | 3B | 170 BPM | ||
I Wish You Love | Nancy Wilson, Ron McMaster | B♭ Minor | 2 | 3A | 115 BPM |
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