"Stabat Mater (Plainsong)" by James MacMillan, The Sixteen, Harry Christophers, Britten Sinfonia was released on March 3, 2017. With this song being about 5 minutes long, at 4:56, "Stabat Mater (Plainsong)" by James MacMillan, The Sixteen, Harry Christophers, Britten Sinfonia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in James MacMillan, Britten Sinfonia, The Sixteen, Harry Christophers's "James MacMillan: Stabat Mater" album is number 1 out of 5. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Stabat Mater (Plainsong)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stabat Mater (Plainsong) by James MacMillan, The Sixteen, Harry Christophers, Britten Sinfonia to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A New Commandment | Richard Shephard, The Ecclesium Choir, Philip Stopford | E Major | 1 | 12B | 77 BPM | ||
Five Spirituals from "A Child of Our Time": I. Steal Away | Michael Tippett, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National Orchestra | G Major | 2 | 9B | 84 BPM | ||
O Nata Lux | Nordic Chamber Choir - Nicol Matt | D Major | 0 | 10B | 77 BPM | ||
O Jesu Christe | Jakob van Berchem, Chœur "Cantabile" de la Cathédrale de Reims, Orchestre de Chambre Arsène Muzerelle, Arsène Muzerelle | G Major | 1 | 9B | 80 BPM | ||
Requiem for counter-tenor, choir & organ: II. Dies Irae - III. Tuba mirum | George Lloyd, Jeffrey Makinson, The Exon Singers, Matthew Owens | D♭ Major | 2 | 3B | 86 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
O Filii Et Filiae | Salt Lake Vocal Artists | A♭ Major | 1 | 4B | 134 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Wedding Song | James MacMillan, Cappella Nova, Alan Tavener | E Major | 1 | 12B | 106 BPM | ||
Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM |
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