"Die Entführung aus dem Serail, K.384 / Act 1: Nr. 4 Rezitativ und Arie: "Konstanze, dich wiederzusehen … O wie ängstlich, o wie feurig" - Live" by Wolfgang Amadeus Mozart, Rolando Villazón, Paul Schweinester, Chamber Orchestra of Europe, Yannick Nézet-Séguin was released on January 9, 2022. With this song being about 5 minutes long, at 5:20, "Die Entführung aus dem Serail, K.384 / Act 1: Nr. 4 Rezitativ und Arie: "Konstanze, dich wiederzusehen … O wie ängstlich, o wie feurig" - Live" by Wolfgang Amadeus Mozart, Rolando Villazón, Paul Schweinester, Chamber Orchestra of Europe, Yannick Nézet-Séguin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Various Artists's "Mozart Opera" album is number 11 out of 58. In terms of popularity, Die Entführung aus dem Serail, K.384 / Act 1: Nr. 4 Rezitativ und Arie: "Konstanze, dich wiederzusehen … O wie ängstlich, o wie feurig" - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Entführung aus dem Serail, K.384 / Act 1: Nr. 4 Rezitativ und Arie: "Konstanze, dich wiederzusehen … O wie ängstlich, o wie feurig" - Live by Wolfgang Amadeus Mozart, Rolando Villazón, Paul Schweinester, Chamber Orchestra of Europe, Yannick Nézet-Séguin to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Flute Concerto No. 1 in G Major, K. 313: II. Adagio non troppo | Wolfgang Amadeus Mozart, Anton Gisler, Werner Tripp, Wiener Philharmoniker, Karl Böhm | D Major | 1 | 10B | 91 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
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