"Rhapsody In Blue" by George Gershwin, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd was released on January 1, 2012. Rhapsody In Blue appears to be safe for all ages as it is not explicit. Since Rhapsody In Blue Performed By Benjamin Grosvenor only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Rhapsody In Blue is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody In Blue by George Gershwin, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Porgy and Bess: Summertime (Arr. Heifetz for Violin and Piano) | George Gershwin, Randall Goosby, Zhu Wang | B Minor | 2 | 10A | 92 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Symphonic Variations on an African Air, Op.63 | Samuel Coleridge-Taylor, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | G Major | 0 | 9B | 121 BPM | ||
Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (b) Presto - Recitativo - Allegro assai | Ludwig van Beethoven, Sir Charles Mackerras, Bryn Terfel, Della Jones, Joan Rodgers, Peter Bronder, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra | D Major | 2 | 10B | 79 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Adagio | Samuel Barber, Royal Liverpool Philharmonic Orchestra, Libor Pešek | B♭ Minor | 1 | 3A | 81 BPM | ||
Tahiti Trot | Vincent Youmans, Concertgebouworkest, Riccardo Chailly | A♭ Major | 1 | 4B | 85 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM |
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