Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester's 'Conclusion in D major / Ré majeur / D-dur: Allegro - Adagio - Allegro' came out on October 21, 2010. Since Conclusion in D major / Ré majeur / D-dur: Allegro - Adagio - Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. Based on our statistics, Conclusion in D major / Ré majeur / D-dur: Allegro - Adagio - Allegro's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Conclusion in D major / Ré majeur / D-dur: Allegro - Adagio - Allegro by Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | ||
Sonata In G Minor For Violin And Continuo, So 33: Gavotta: Allegro | Tomaso Albinoni, La Serenissima, Adrian Chandler, violin | G Minor | 1 | 6A | 95 BPM | ||
Concerto No 11 in B flat major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | A Major | 2 | 11B | 147 BPM | ||
Oboe Sonata in G Minor, Op. 1 No. 6 HWV 364a: I. Larghetto | London Harpsichord Ensemble, Sarah Francis | G Minor | 1 | 6A | 76 BPM | ||
Pièces à deux violes du Premier Livre: Chaconne en sol majeur (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | F♯ Major | 1 | 2B | 128 BPM | ||
Symphony No. 69 in A Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A♭ Major | 2 | 4B | 117 BPM | ||
Concerto for Oboe, Strings and Basso Continuo in G Minor, Op. 8 No. 5: II. Allegro assai - Adagio | Giuseppe Sammartini, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | B♭ Major | 2 | 6B | 120 BPM | ||
Scarlatti, A: Clori, Dorino e Amore: Sinfonia avanti la Serenata. III. Minuet | Alessandro Scarlatti, Europa Galante, Fabio Biondi | B Major | 1 | 1B | 131 BPM | ||
Suite in G Minor: Petitte Passacaille | Marin Marais, London Baroque | F♯ Minor | 3 | 11A | 117 BPM | ||
Concerto Grosso, Op. 6, No. 04 in A Minor (HWV 322): Largo, e piano | George Frideric Handel, Academy of Ancient Music, Andrew Manze | E Major | 0 | 12B | 95 BPM |
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