"Campra: Requiem (Messe des morts): I. Introit "Requiem aeternam" (Chorus, Basse-taille)" by André Campra, Les Arts Florissants, William Christie was released on 2003. Since Campra: Requiem (Messe des morts): I. Introit "Requiem aeternam" (Chorus, Basse-taille) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 27 out of 27 in Campra: Grand Motets by André Campra, William Christie, Les Arts Florissants. Based on our statistics, Campra: Requiem (Messe des morts): I. Introit "Requiem aeternam" (Chorus, Basse-taille)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Campra: Requiem (Messe des morts): I. Introit "Requiem aeternam" (Chorus, Basse-taille) by André Campra, Les Arts Florissants, William Christie is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
Sonata Prima in F Major: IV. Giga Presto | Unico Wilhelm van Wassenaer, Teun & Teun | F♯ Minor | 1 | 11A | 126 BPM | ||
Cesare e Cleopatra, Act I Scene 8: Aria. Tra le procelle assorto (Cleopatra) | Carl Heinrich Graun, Samuel Mariño, Orchestre de l'Opéra Royal, Stefan Plewniak | E♭ Major | 3 | 5B | 139 BPM | ||
Le Bourgeois gentilhomme, LWV 43: Canaries | Jean-Baptiste Lully, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Minor | 2 | 5A | 84 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Il Giardino d'Amore: Più non m'alletta e piace (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Bruno de Sá | F♯ Minor | 1 | 11A | 98 BPM | ||
Theodora, HWV 68, Pt. III: Air. Streams Of Pleasure Ever Flowing’ / Duet. Thither Let Our Hearts Aspire | George Frideric Handel, Arcangelo, Jonathan Cohen, Louise Alder, Tim Mead | F♯ Major | 1 | 2B | 102 BPM |
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