- BPM
- 118
- Key
- F Major
- Camelot
- 7B
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation IV - Ludwig van Beethoven, Adrian Brendel, Alfred Brendel Information
- Acousticness
- 99%
- Danceability
- 36%
- Energy
- 2%
- Instrumentalness
- 33%
- Liveness
- 16%
- Loudness
- 50%
- Speechiness
- 5%
- Valence
- 26%
- Popularity
- 0%
- Loudness
- -29.808 dB
Summary
Ludwig van Beethoven, Adrian Brendel, Alfred Brendel's '12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation IV' came out on June 7, 2021. With 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation IV being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 28 out of 167 in Beethoven: Classical Summer by Ludwig van Beethoven. In terms of popularity, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation IV is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation IV BPM
The tempo marking of 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation IV by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation IV Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | |
 | Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | |
 | 3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | |
 | Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | |
 | Trio n°3, Op. 1: II. Andante cantabile con variazoni | Ludwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille, Jean-Michel Dayez | E Minor | 4 | 9A | 93 BPM | |
 | Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | |
 | Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | |
 | 4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7424490451812744
End: 0.7465827465057373