"Louise (2002 - Remaster): Depuis le jour (Act III)" by Gustave Charpentier, Maria Callas, Orchestra della Radiotelevisione Italiana, Roma, Alfredo Simonetto, Orchestre Della Radiotelevisione Italiana, Roma was released on September 2, 2002. Louise (2002 - Remaster): Depuis le jour (Act III) is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Maria Callas's "Maria Callas Live in Rome 1952 & San Remo 1954" album is number 7 out of 8. Based on our statistics, Louise (2002 - Remaster): Depuis le jour (Act III)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Louise (2002 - Remaster): Depuis le jour (Act III) by Gustave Charpentier, Maria Callas, Orchestra della Radiotelevisione Italiana, Roma, Alfredo Simonetto, Orchestre Della Radiotelevisione Italiana, Roma to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen | Franz Lehár, Boje Skovhus, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 72 BPM | ||
Turandot / Act 1: "Ah! Per L'Ultima Volta" | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, Piero de Palma, Pier Francesco Poli, Tom Krause, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | F Major | 2 | 7B | 170 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
Puccini: Turandot, Act 2 Scene 2: "In questa Reggia, or son mill'anni e mille" (Turandot, La Folla, Calaf) | Giacomo Puccini, Birgit Nilsson, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | D Minor | 0 | 7A | 83 BPM | ||
Carmen / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 128 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
La Bohème / Act 1: "Chi è là?" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 1: "Printemps qui commence" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E Major | 0 | 12B | 83 BPM |
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