Philomel for soprano, recorded soprano, and synthesized sound - Milton Babbitt, Bethany Beardslee Information

"Philomel for soprano, recorded soprano, and synthesized sound" by Milton Babbitt, Bethany Beardslee was released on 1977. Philomel for soprano, recorded soprano, and synthesized sound appears to be safe for all ages as it is not explicit. The track order of this song in Milton Babbitt, Lynne Webber, Jerry Kuderna, Robert Miller, Bethany Beardslee's "Milton Babbitt: Philomel" album is number 1 out of 5. In terms of popularity, Philomel for soprano, recorded soprano, and synthesized sound is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Philomel for soprano, recorded soprano, and synthesized sound BPM

We consider the tempo marking of Philomel for soprano, recorded soprano, and synthesized sound by Milton Babbitt, Bethany Beardslee to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Philomel for soprano, recorded soprano, and synthesized sound Key

This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.