Johann Sebastian Bach, Maria João Pires made "French Suite No. 2 in C Minor, BWV 813: IV. Air" available on May 1, 2021. With French Suite No. 2 in C Minor, BWV 813: IV. Air being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 175 in the song's album "Simply Bach". In this album, this song's track order is #170. In terms of popularity, French Suite No. 2 in C Minor, BWV 813: IV. Air is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With French Suite No. 2 in C Minor, BWV 813: IV. Air by Johann Sebastian Bach, Maria João Pires having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 2. Largo (Arr. for Guitar) | Antonio Vivaldi, Eduardo Fernandez, English Chamber Orchestra, George Malcolm | D Major | 1 | 10B | 170 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Keyboard Suite No. 5 in E Major, HWV 430: IV. Air and Doubles ("Harmonious Blacksmith") | George Frideric Handel, Philip Edward Fisher | E Major | 1 | 12B | 126 BPM | ||
Bach, JS: Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Concerto In D Major For 2 Violins, Strings & Continuo, RV 511: 2. Largo | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | E Minor | 0 | 9A | 75 BPM | ||
Prelude, Fugue And Allegro In E Flat Major, BWV 998 : Prelude, Fugue And Allegro In E Flat Major, BWV 998 | Janos Sebestyen, Johann Sebastian Bach | E♭ Major | 2 | 5B | 135 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ruht wohl, ihr heiligen Gebeine (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 132 BPM | ||
Sonata BWV 31 - Live | Rudolf Lutz, Johann Sebastian Bach, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Ulrike Hofbauer, Alex Potter, Makoto Sakurada, Wolf Matthias Friedrich | G Major | 1 | 9B | 122 BPM |
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