"O vis eternitatis" by Hildegard von Bingen, Sequentia, Barbara Thornton was released on 1994. Since O vis eternitatis is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 91 in the song's album "Sequentia: Hildegard von Bingen". In this album, this song's track order is #1. O vis eternitatis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O vis eternitatis by Hildegard von Bingen, Sequentia, Barbara Thornton having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agnus Dei, Adagio Op. 11 | Samuel Barber, Accentus, Laurence Equilbey | B♭ Minor | 1 | 3A | 74 BPM | ||
Cum processit factura digiti Dei | Hildegard von Bingen, Sequentia, Barbara Thornton | C Major | 0 | 8B | 76 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | ||
L'Orfeo, SV 318: Act I: Io non diro qual sia nel tuo gioir (Euridice) | Claudio Monteverdi, Emanuela Galli, Mirko Guadagnini, Marina de Liso, Cristina Calzolari, Matteo Bellotto, José Maria Lo Monaco, Salvo Vitale, Vincenzo di Donato, Francesca Cassinari, Giovanni Caccamo, Makoto Sakurada, Claudio Cavina, Tony Corradini, La Venexiana | E Minor | 1 | 9A | 0 BPM | ||
St Sunniva Hymn - Eterna Christi Munera | Trio Mediæval, Arve Henriksen | D Major | 0 | 10B | 142 BPM | ||
Laboravi in gemitu meo | Philippe Rogier, Oxford Camerata, Jeremy Summerly | G Major | 1 | 9B | 134 BPM | ||
Brureslått | Trio Mediæval, Arve Henriksen | E Major | 0 | 12B | 70 BPM | ||
Melancholy Galliard | Hopkinson Smith, John Dowland | A♭ Major | 1 | 4B | 80 BPM | ||
Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act V: The Plaint. "O Let Me Ever, Ever Weep" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | A Minor | 0 | 8A | 64 BPM |
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