On January 20, 2009, the song "La Belle Excentrique: La Belle Excentrique: III. Cancan Grand-Mondain" was released by Erik Satie, Alexandre Tharaud, Eric Le Sage. With La Belle Excentrique: La Belle Excentrique: III. Cancan Grand-Mondain being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #16. La Belle Excentrique: La Belle Excentrique: III. Cancan Grand-Mondain is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La Belle Excentrique: La Belle Excentrique: III. Cancan Grand-Mondain by Erik Satie, Alexandre Tharaud, Eric Le Sage having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | E Major | 0 | 12B | 75 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | ||
Lakmé: Flower Duet | Léo Delibes, Olga Kharitonova | C Major | 1 | 8B | 122 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Valse Melancolique No. 6 in F Minor | Carlos Marquez | C Minor | 2 | 5A | 99 BPM | ||
La Valse d'Amélie | Maximilian Oberroither | C Major | 1 | 8B | 174 BPM |
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