"West Side Story: Only you, you're the only thing I'll see forever....Tonight, tonight, it all began tonight" by Orchestra of the Royal Opera House, Covent Garden, Angela Gheorghiu, Richard Armstrong, Roberto Alagna was released on 1996. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 14 in Duets & Arias by Angela Gheorghiu, Roberto Alagna. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. West Side Story: Only you, you're the only thing I'll see forever....Tonight, tonight, it all began tonight is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of West Side Story: Only you, you're the only thing I'll see forever....Tonight, tonight, it all began tonight by Orchestra of the Royal Opera House, Covent Garden, Angela Gheorghiu, Richard Armstrong, Roberto Alagna is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Coppélia: Thème slave varié | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | E Major | 1 | 12B | 129 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Les Sylphides: 8. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 110 BPM | ||
Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Michel Corboz, Ensemble Vocal de Lausanne, Orchestre de Chambre de Genève | G Major | 0 | 9B | 109 BPM | ||
Coppélia: Scène | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 88 BPM | ||
Donizetti: Roberto Devereux, Act 3: "All'ambascia ond'io mi struggo" (Sara, Nottingham) [Live] | Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden | D Major | 0 | 10B | 171 BPM |
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