"Adagio for Strings, Op. 11" by Samuel Barber, London Symphony Orchestra, Andrew Schenck was released on January 1, 1985. Since Adagio for Strings, Op. 11 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 5 in Barber: Piano Concerto; Medea's Meditation and Dance of Vengeance; Adagio for Strings by Samuel Barber, Tedd Joselson, London Symphony Orchestra, Andrew Schenck. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Adagio for Strings, Op. 11 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio for Strings, Op. 11 by Samuel Barber, London Symphony Orchestra, Andrew Schenck is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capricorn Concerto, Op. 21: Allegro ma non troppo | Samuel Barber, Christopher Hogwood | D Major | 1 | 10B | 88 BPM | ||
Le Carnaval des Animaux, R. 125: XIII. Le Cygne | Camille Saint-Saëns, Neeme Järvi, Bergen Philharmonic Orchestra, Louis Lortie, Hélène Mercier | G Major | 0 | 9B | 84 BPM | ||
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Departures | Joe Hisaishi, London Symphony Orchestra | G Major | 1 | 9B | 124 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | B Major | 0 | 1B | 98 BPM | ||
Symphony No. 9 in E minor, Op. 95 "From the New World": 2. Largo - Extract | Antonín Dvořák, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 0 | 3B | 61 BPM | ||
Capricorn Concerto, Op. 21: Allegro con brio | Samuel Barber, Christopher Hogwood | C Major | 2 | 8B | 127 BPM | ||
Piano Concerto No.2 in C minor, Op.18: 1. Moderato | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | C Minor | 1 | 5A | 89 BPM | ||
Pavane Op. 50 (orch. version, 1887) - 1993 Remastered Version | Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 130 BPM |
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