- BPM
- 141
- Key
- A Minor
- Camelot
- 8A
Songs of Springtime: No. 7, To Daffodils - Ernest John Moeran, Finzi Singers, Paul Spicer Information
- Acousticness
- 99%
- Danceability
- 17%
- Energy
- 7%
- Instrumentalness
- 5%
- Liveness
- 10%
- Loudness
- 52%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -29.057 dB
Summary
"Songs of Springtime: No. 7, To Daffodils" by Ernest John Moeran, Finzi Singers, Paul Spicer was released on June 1, 1993. The duration of Songs of Springtime: No. 7, To Daffodils is about 3 minutes long, at 3:05. Based on our data, "Songs of Springtime: No. 7, To Daffodils" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Finzi Singers, Paul Spicer's "Moeran: Songs of Springtime / Phyllida and Corydon / Warlock: Choral Works" album is number 7 out of 26. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Songs of Springtime: No. 7, To Daffodils's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Songs of Springtime: No. 7, To Daffodils BPM
We consider the tempo marking of Songs of Springtime: No. 7, To Daffodils by Ernest John Moeran, Finzi Singers, Paul Spicer to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
Songs of Springtime: No. 7, To Daffodils Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | |
 | HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | |
 | Rissolty Rossolty | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 3 | 7B | 117 BPM | |
 | Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM | |
 | 5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | |
 | Serenade in G Major (original version): II. Air: Lento, ma non troppo | Ernest John Moeran, Ulster Orchestra, Joann Falletta | E Minor | 0 | 9A | 110 BPM | |
 | Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | |
 | 2 Songs for Children: No. 1. Little Birdie (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F Major | 0 | 7B | 85 BPM |
- ISRC
- GBLWD9307407
- Label
- L-M Records/RCA Records
Section: 0.9844534397125244
End: 0.9885835647583008