"Estaciones Portenas "Seasons in Buenos Aires" for Piano Trio: Invierno Porteno - Andante" by Artemis Quartet, Jacques Ammon was released on May 11, 2009. Since Estaciones Portenas "Seasons in Buenos Aires" for Piano Trio: Invierno Porteno - Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "The Piazzolla Project". In this album, this song's track order is #3. In terms of popularity, Estaciones Portenas "Seasons in Buenos Aires" for Piano Trio: Invierno Porteno - Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Estaciones Portenas "Seasons in Buenos Aires" for Piano Trio: Invierno Porteno - Andante by Artemis Quartet, Jacques Ammon having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Archangel's Lullaby | Howard Blake, Steven Isserlis, Stephen Hough | D Minor | 0 | 7A | 89 BPM | ||
Dichterliebe, Op. 48: XII. Am leuchtenden Sommermorgen (Arr. by Daniel Hope) | Robert Schumann, Daniel Hope, Jacques Ammon, Jane Berthe | B♭ Major | 0 | 6B | 64 BPM | ||
Façades | Christopher Warren-Green, London Chamber Orchestra, John Harle, Simon Haram | B♭ Major | 1 | 6B | 84 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
In Stiller Nacht, WoO. 33, Nr. 42 | Hanna Dora Sturludottir, Jacques Ammon | E Major | 2 | 12B | 76 BPM | ||
Bebop Tango - Arr. for Cello and Piano | Eckart Runge, Jacques Ammon | E Minor | 2 | 9A | 80 BPM | ||
The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 1 in C Major, BWV 846 | Classical Coterie | C Major | 0 | 8B | 217 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Komm Lieber Mai Und Mache, KV 596 | Silvia Krüger, Jacques Ammon | F Major | 1 | 7B | 108 BPM | ||
Metal Zone - Live | Paul Frick, Jacques Ammon, Deutsches Kammerorchester Berlin | F Major | 6 | 7B | 172 BPM |
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