"Das Rheingold, WWV 86A, Erste Szene: Der Welt Erbe gewänn' ich zu eigen durch dich?" by Badische Staatskapelle, Gunter Neuhold, Oleg Bryjak, Doris Brüggemann, Ruxandra Voda, Wilja Ernst-Mosuraitis was released on May 3, 2013. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Der Ring des Nibelungen, Vorabend - Das Rheingold by Badische Staatskapelle, Gunter Neuhold. The song's track number on the album is #5 out of 30 tracks. Das Rheingold, WWV 86A, Erste Szene: Der Welt Erbe gewänn' ich zu eigen durch dich? is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Rheingold, WWV 86A, Erste Szene: Der Welt Erbe gewänn' ich zu eigen durch dich? by Badische Staatskapelle, Gunter Neuhold, Oleg Bryjak, Doris Brüggemann, Ruxandra Voda, Wilja Ernst-Mosuraitis has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Das Rheingold, WWV 86A, Erste Szene: Der Welt Erbe gewänn' ich zu eigen durch dich? being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2, Op. 52, "Lobgesang": X. Schlusschor: Ihr Völker! Bringet her dem Herrn | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Zürcher Sing-Akademie, Florian Helgath | E Major | 1 | 12B | 72 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM | ||
Charpentier: Te Deum, H. 146: V. Te per orbem terrarum | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, John Aler, Kurt Moll | D Major | 0 | 10B | 87 BPM | ||
Davide penitente, K. 469: Chi in Dio sol spera - Di tai pericoli non ha timor (Chorus and Soli) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | B♭ Major | 0 | 6B | 68 BPM | ||
Requiem: Mors stupebit | Xavier Benguerel, Cor de Cambra del Palau de la Musica Catalana, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Dalmau González, Lluís Sintes, Maribel Ortega, Marisa Martins, Matteo Suk, Miquel Ortega | D Major | 1 | 10B | 80 BPM | ||
Le nozze di Figaro, K. 492: Gente, gente, all'armi, all'armi | Wolfgang Amadeus Mozart, Sir Colin Davis | G Major | 2 | 9B | 74 BPM | ||
Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra | A Major | 1 | 11B | 83 BPM | ||
Serenade in C Major, Op. 10: IV. Tema con variazioni: Andante con moto | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | C Major | 1 | 8B | 133 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM |
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