"Peter and the wolf, Op.67 - Narration in German; Text adapted by LORIOT on basis of Prokofiev's text: Eines Morgens, als der Großvater und die dicke Ente noch schliefen" by Sergei Prokofiev, Loriot, English Chamber Orchestra, Daniel Barenboim was released on January 1, 2000. With this song being about 5 minutes long, at 5:08, "Peter and the wolf, Op.67 - Narration in German; Text adapted by LORIOT on basis of Prokofiev's text: Eines Morgens, als der Großvater und die dicke Ente noch schliefen" by Sergei Prokofiev, Loriot, English Chamber Orchestra, Daniel Barenboim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Prokofiev: Peter und der Wolf". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Peter and the wolf, Op.67 - Narration in German; Text adapted by LORIOT on basis of Prokofiev's text: Eines Morgens, als der Großvater und die dicke Ente noch schliefen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Peter and the wolf, Op.67 - Narration in German; Text adapted by LORIOT on basis of Prokofiev's text: Eines Morgens, als der Großvater und die dicke Ente noch schliefen by Sergei Prokofiev, Loriot, English Chamber Orchestra, Daniel Barenboim having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Leichte Kavallerie: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | A Major | 3 | 11B | 126 BPM | ||
Das Orchester - Peter und der Wolf | Marko Simsa | F Major | 2 | 7B | 74 BPM | ||
Ma vlast (My Fatherland): No. 2. Vltava (Moldau) | Bedřich Smetana | E Major | 1 | 12B | 72 BPM | ||
Horn Concerto in C Minor, Op. 8: I. Allegro moderato | Franz Strauss, Samuel Seidenberg, Frankfurt Radio Symphony Orchestra, Sebastian Weigle | E♭ Major | 1 | 5B | 112 BPM | ||
Schwanensee, Op. 20: Act III No. 21: Spanish Dance | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | F♯ Minor | 2 | 11A | 106 BPM | ||
Suite No.3 in D, BWV 1068: 2. Air | Johann Sebastian Bach, English Chamber Orchestra, Raymond Leppard | D Major | 2 | 10B | 89 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 2, Romeo | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 0 | 8B | 111 BPM | ||
Scythian Suite, Op. 20 "Ala i Lolli": III. La nuit (Night) | Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | D Major | 5 | 10B | 121 BPM | ||
Piano Concerto No. 26 in D Major, K. 537 "Coronation": II. Larghetto | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | A Major | 0 | 11B | 130 BPM |
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