"Má Vlast, JB1:112: 5. Tábor" by Bedřich Smetana, Czech Philharmonic Orchestra, Jiří Bělohlávek was released on January 5, 2018. Má Vlast, JB1:112: 5. Tábor appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Smetana: Má Vlast". In this album, this song's track order is #5. Based on our statistics, Má Vlast, JB1:112: 5. Tábor's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Má Vlast, JB1:112: 5. Tábor by Bedřich Smetana, Czech Philharmonic Orchestra, Jiří Bělohlávek having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trout Quintet: Theme and variations | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
String Quartet in C Minor, Op. Posth.: II. Adagio | Max Bruch, Diogenes Quartet | A♭ Major | 1 | 4B | 88 BPM | ||
Pictures at an Exhibition (Orch. Ravel): III. Tuileries Gardens | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Minor | 0 | 2A | 97 BPM | ||
Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Morceau de Concert, Op. 94 for Horn and Orchestra: 1. Allegro moderato | Camille Saint-Saëns, Hermann Baumann, Gewandhausorchester, Kurt Masur | F Minor | 0 | 4A | 116 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Fucik : Entry of the Gladiators Op.68 | Julius Fučík, Václav Neumann, Czech Philharmonic Orchestra | C Major | 6 | 8B | 121 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM | ||
The Bartered Bride, JB 1:100: Three Dances: Polka. Moderato | Bedřich Smetana, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 96 BPM |
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