"Arrane Ghelbee" by Maidens of the Celtic Harp was released on April 3, 2001. The duration of Arrane Ghelbee is about 3 minutes long, at 3:15. Based on our data, "Arrane Ghelbee" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Maidens of the Celtic Harp's "Maidens of the Celtic Harp" album is number 11 out of 19. On top of that, United States appears to be the country where this track was created. In terms of popularity, Arrane Ghelbee is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Arrane Ghelbee by Maidens of the Celtic Harp to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come By the Hills | Joanie Madden | F♯ Minor | 4 | 11A | 88 BPM | ||
The Girl Who Broke My Heart | Celia Briar | E Minor | 1 | 9A | 110 BPM | ||
Musette | Ralf Kleemann | A Minor | 1 | 8A | 171 BPM | ||
We Were Together And The Rest I Forgot | Olga Chung, Enaid, Maidens of the Celtic Harp | B Major | 1 | 1B | 140 BPM | ||
The Kilburn Jig / Diarmuid's Well / The Wild Irishma (Arr. Shaljean) | Bonnie Shaljean | G Minor | 2 | 6A | 120 BPM | ||
Crossroads at Midnight/Crossroads at Dawn | Celtic Muse | C Major | 0 | 8B | 112 BPM | ||
祈りの岩(フォークケルト音楽) | 祝いヴァイオリン | E Minor | 5 | 9A | 185 BPM | ||
The True Positive Vibes | Maree Docia, Maidens of the Celtic Harp, Enaid | A♭ Major | 3 | 4B | 67 BPM | ||
Mermaids Join the Dance | Mo Coulson, Chris Conway | E Minor | 3 | 9A | 180 BPM | ||
Carolan's Dream | Patrick Ball | F Minor | 2 | 4A | 92 BPM |
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