"Fidelio Op.72 / Act 1: "Nun sprecht, wie ging's?"" by Ludwig van Beethoven, Leonie Rysanek, Irmgard Seefried, Friedrich Lenz, Dietrich Fischer-Dieskau, Gottlob Frick, Bavarian State Orchestra, Ferenc Fricsay was released on November 14, 2020. Since Fidelio Op.72 / Act 1: "Nun sprecht, wie ging's?" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 169 out of 204 in Beethoven Legendary Recordings by Ludwig van Beethoven. The popularity of Fidelio Op.72 / Act 1: "Nun sprecht, wie ging's?" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fidelio Op.72 / Act 1: "Nun sprecht, wie ging's?" by Ludwig van Beethoven, Leonie Rysanek, Irmgard Seefried, Friedrich Lenz, Dietrich Fischer-Dieskau, Gottlob Frick, Bavarian State Orchestra, Ferenc Fricsay is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saens - Danse macabre, S555/R240 (arr. V. Horowitz for piano): Danse macabre | Vladimir Horowitz, Franz Liszt, Valery Kuleshov | E♭ Major | 2 | 5B | 108 BPM | ||
24 Préludes, Op. 28: No.4 in E minor - Largo | Frédéric Chopin, Alexandre Tharaud | F Major | 0 | 7B | 111 BPM | ||
18 Études, Op. 109: No. 13, L'orage | Franz Burgmüller, Carl Petersson | D Minor | 1 | 7A | 85 BPM | ||
Piano Sonata No. 1 In F Minor, Op. 2, No. 1: 4. Prestissimo | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 1 | 4B | 111 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 0 | 10B | 94 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
Violin Concerto in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 1 | 8B | 74 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM |
Section: 0.7218875885009766
End: 0.7269430160522461