"Barber: Agnus Dei, Op. 11 (Barber Adagio) [Excerpt]" by Samuel Barber, Edward Higginbottom, Choir of New College, Oxford was released on 1996. Since Barber: Agnus Dei, Op. 11 (Barber Adagio) [Excerpt] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 26 in Agnus Dei Volumes 1 & 2 by Edward Higginbottom. Based on our statistics, Barber: Agnus Dei, Op. 11 (Barber Adagio) [Excerpt]'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Barber: Agnus Dei, Op. 11 (Barber Adagio) [Excerpt] by Samuel Barber, Edward Higginbottom, Choir of New College, Oxford is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
San Giovanni Battista: Queste lagrime e sospiri | Alessandro Stradella, Patricia Petibon, Venice Baroque Orchestra, Andrea Marcon | E Minor | 0 | 9A | 99 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt (Isoldes Liebestod) | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | B Major | 2 | 1B | 81 BPM | ||
Symphony No. 3 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Joanna Koslowska, Warsaw Philharmonic Orchestra, Kazimierz Kord | B♭ Minor | 0 | 3A | 52 BPM | ||
Capricorn Concerto, Op. 21: Allegro con brio | Samuel Barber, Christopher Hogwood | C Major | 2 | 8B | 127 BPM | ||
The Lamb | John Tavener, Vasari Singers, Jeremy Backhouse | E Minor | 0 | 9A | 183 BPM | ||
Sunrise Mass: I. The Spheres | Ola Gjeilo, Westminster Williamson Voices, Sunrise Mass Orchestra, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Stabat mater dolorosa (a due) | Giovanni Battista Pergolesi, Julia Faulkner, Anna Gonda, Camerata De Budapest, Michael Halasz | G Major | 1 | 9B | 87 BPM | ||
Le Carnaval des Animaux, R. 125: VII. Aquarium | Camille Saint-Saëns, Lucas Jussen, Arthur Jussen, Concertgebouworkest | A Minor | 0 | 8A | 124 BPM | ||
Adagio for Strings, Op. 11 - Live | Samuel Barber, Los Angeles Philharmonic, Leonard Bernstein | D♭ Major | 2 | 3B | 119 BPM |
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