"Wiener Fresken, Walzer, Op. 249" by Josef Strauss, Riccardo Muti, Wiener Philharmoniker was released on January 5, 2018. Since Wiener Fresken, Walzer, Op. 249 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 20 in the song's album "New Year's Concert 2018 / Neujahrskonzert 2018 / Concert du Nouvel An 2018". In this album, this song's track order is #2. The popularity of Wiener Fresken, Walzer, Op. 249 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wiener Fresken, Walzer, Op. 249 by Josef Strauss, Riccardo Muti, Wiener Philharmoniker having a BPM of 186 with a half-time of 93 BPM and a double-time of 372 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No.2: Farandole | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 4 | 10B | 85 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Paul Tortelier, English Chamber Orchestra | F♯ Major | 0 | 2B | 111 BPM | ||
La traviata / Act 1: "Dell'invito trascorsa è già l'ora" | Giuseppe Verdi, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Rolando Villazón, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A Major | 2 | 11B | 82 BPM | ||
Radetzky-Marsch, Op. 228 | Johann Strauss I, Christian Thielemann, Wiener Philharmoniker | A Major | 5 | 11B | 100 BPM | ||
Scheherazade, Op. 35: The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergei Levitin, Mariinsky Orchestra, Valery Gergiev | F Minor | 1 | 4A | 79 BPM | ||
Die schöne Galathée: Overture | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | D Major | 2 | 10B | 124 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Helenen-Quadrille, Op. 14 | Eduard Strauss, Daniel Barenboim, Wiener Philharmoniker | F Major | 2 | 7B | 88 BPM | ||
Piano Concerto No. 1 in C Major, Op. 15: 3. Rondo. Allegro scherzando | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | C Major | 2 | 8B | 147 BPM | ||
3 Bavarian Dances: No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Minor | 2 | 11A | 145 BPM |
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