Henryk Wieniawski, Maxim Vengerov, Ian Brown's 'Variations on an Original Theme' came out on November 1, 2004. Variations on an Original Theme appears to be safe for all ages as it is not explicit. The song is number 1 out of 12 in Encores by Maxim Vengerov. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Variations on an Original Theme is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on an Original Theme by Henryk Wieniawski, Maxim Vengerov, Ian Brown is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi minuetto | Johannes Brahms, Mstislav Rostropovich, Rudolf Serkin | E Minor | 1 | 9A | 127 BPM | ||
Violin Concerto in D Minor, MWV O3: III. Allegro | Felix Mendelssohn, Tianwa Yang, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Minor | 2 | 7A | 161 BPM | ||
Scherzo-tarantelle, Op. 16 | Henryk Wieniawski, Bartolomiej Niziol, Waldemar Malicki | E Major | 1 | 12B | 77 BPM | ||
Lalo: Symphonie espagnole, Op. 21: IV. Andante | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | D Major | 1 | 10B | 96 BPM | ||
Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande | Johann Sebastian Bach, Hilary Hahn | D Minor | 1 | 7A | 76 BPM | ||
The Joy of Suffering: 2. Solitary | Qigang Chen, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | A♭ Major | 0 | 4B | 77 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | B♭ Major | 1 | 6B | 80 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Piano Concerto No.2 In F Minor, Op.21: 3. Allegro vivace | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | B♭ Minor | 2 | 3A | 107 BPM |
Section: 0.8438305854797363
End: 0.8479022979736328