- BPM
- 72
- Key
- D Major
- Camelot
- 10B
Die logische Konsequenz des Marschierens (aus "Emigranten-Symphonie") - Capella Istropolitana Information
- Acousticness
- 81%
- Danceability
- 33%
- Energy
- 12%
- Instrumentalness
- 82%
- Liveness
- 9%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 2%
- Loudness
- -16.216 dB
Summary
"Die logische Konsequenz des Marschierens (aus "Emigranten-Symphonie")" by Capella Istropolitana was released on May 2, 2014. With this song being about 5 minutes long, at 4:47, "Die logische Konsequenz des Marschierens (aus "Emigranten-Symphonie")" by Capella Istropolitana is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 42 in D.U.D.A! Werner Pirchner by Various Artists. Die logische Konsequenz des Marschierens (aus "Emigranten-Symphonie") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die logische Konsequenz des Marschierens (aus "Emigranten-Symphonie") BPM
The tempo marking of Die logische Konsequenz des Marschierens (aus "Emigranten-Symphonie") by Capella Istropolitana is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Die logische Konsequenz des Marschierens (aus "Emigranten-Symphonie") Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serenade for Strings in C, Op. 48: 2. Walzer: Moderato (Tempo di valse) | Pyotr Ilyich Tchaikovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 3 | 11B | 92 BPM | |
 | Divertimento in D Major, K. 136, "Salzburg Symphony No. 1": I. Allegro | Wolfgang Amadeus Mozart, Capella Istropolitana, Richard Edlinger | D Major | 2 | 10B | 140 BPM | |
 | Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | |
 | Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | |
 | Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : II. Largo - Larghetto | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | |
 | Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | |
 | Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | |
| Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Antonio Vivaldi, Capella Istropolitana | B Minor | 3 | 10A | 107 BPM | |
 | Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | |
 | Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8329579830169678
End: 0.8380026817321777