"Albeniz: Iberia, Primer Cuaderno: II. El Puerto" by Alicia de Larrocha was released on August 22, 1992. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alicia de Larrocha's "Iberia/Navarra/Suite Espanola Etc." album is number 2 out of 22. On top of that, United States appears to be the country where this track was created. In terms of popularity, Albeniz: Iberia, Primer Cuaderno: II. El Puerto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Albeniz: Iberia, Primer Cuaderno: II. El Puerto by Alicia de Larrocha to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 6, Andante ma non troppo | Bedřich Smetana, Jitka Čechová | E♭ Major | 0 | 5B | 74 BPM | ||
8 Improvisations, FP 63: No. 8 in A Minor | Francis Poulenc, Stephen Hough | A Minor | 1 | 8A | 82 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM | ||
Nocturne No. 15 In C Major | Benjamin Frith, John Field | G Major | 0 | 9B | 143 BPM | ||
Fantasia in C minor, K.475: Adagio | Wolfgang Amadeus Mozart, András Schiff | D Major | 0 | 10B | 130 BPM | ||
Keyboard Sonata in B-Flat Major, Op. 10 No. 3: II. Tempo di minuetto con espressione e andante | Muzio Clementi, HyeJin Kim | F Major | 1 | 7B | 112 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM | ||
5 Morceaux de fantaisie, Op. 3: No. 1 Elégie in E-Flat Minor | Sergei Rachmaninoff, Yuja Wang | E Minor | 0 | 9A | 139 BPM | ||
Iberia - Piano (Pub.1906) - Book 3: 8. El Polo | Isaac Albéniz, Alicia de Larrocha | F Minor | 1 | 4A | 99 BPM |
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