"Die Walküre, WWV 86B, erster Aufzug, dritte Szene: O süßeste Wonne! Seligstes Weib!" by Badische Staatskapelle, Gunter Neuhold, Edward Cook, Gabriele Maria Ronge was released on May 3, 2013. Die Walküre, WWV 86B, erster Aufzug, dritte Szene: O süßeste Wonne! Seligstes Weib! is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. This song is part of Wagner: Der Ring des Nibelungen, erster Tag - Die Walküre by Badische Staatskapelle, Gunter Neuhold. The song's track number on the album is #10 out of 37 tracks. Based on our statistics, Die Walküre, WWV 86B, erster Aufzug, dritte Szene: O süßeste Wonne! Seligstes Weib!'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B, erster Aufzug, dritte Szene: O süßeste Wonne! Seligstes Weib! by Badische Staatskapelle, Gunter Neuhold, Edward Cook, Gabriele Maria Ronge has a tempo of 133 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Walküre, WWV 86B, erster Aufzug, dritte Szene: O süßeste Wonne! Seligstes Weib! being at 133 BPM, the half-time would be 66 BPM with a double-time of 266 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion: Da das Jesus merkte, sprach er zu ihnen | Gewandhauschor Leipzig, Badische Staatskapelle, Michael Nowak, Thomas Mohr | D Major | 1 | 10B | 0 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 11, "Ein Tanz von Rübeln". Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Katharina Konradi, Sophia Burgos | E Major | 1 | 12B | 72 BPM | ||
Götterdämmerung, WWV 86D, zweiter Aufzug, vierte Szene: Betrug! Betrug! | Badische Staatskapelle, Gunter Neuhold | F Minor | 1 | 4A | 169 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Elias, Op. 70: Teil II: Alsdann wird euer Licht aufbrechen | Felix Mendelssohn, Thomas Hengelbrock | B♭ Minor | 1 | 3A | 85 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Flute Concerto in G Minor, QV 5:196: I. Allegro di molto, ma con brio | Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble | B♭ Minor | 2 | 3A | 144 BPM | ||
Misa No. 14 para orquesta y cantantes in C Major, K. 317, "Misa de Coronación": No. 1, Kyrie | Orquesta Filarmónica De Londres, Harry Zinman, C. Cantelu, J. Gastani, D. White, T. Cameron | C Major | 1 | 8B | 176 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso V | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | C Minor | 4 | 5A | 126 BPM | ||
Die Walküre, WWV 86B, dritter Aufzug, erste Szene: Hojotoho! Hojotoho! | Badische Staatskapelle, Gunter Neuhold, Margaret Chalker, Claudia Egler, Clara O'Brien, Katarzyna Kempa, Ruth Floeren, Zlatomira Nikolova, Wilja Ernst-Mosuraitis, Cornelia Wulkopf | G Major | 2 | 9B | 91 BPM |
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