Amor Artis Chorale's 'Requiem, K. 626: VIII. Domine Jesu Christe' came out on April 27, 2004. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in English Chamber Orchestra, Johannes Somary's "Mozart: Sacred Choral Masterpieces" album is number 8 out of 25. In terms of popularity, Requiem, K. 626: VIII. Domine Jesu Christe is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem, K. 626: VIII. Domine Jesu Christe by Amor Artis Chorale to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water Music: Presto | A Nanut | F Major | 0 | 7B | 127 BPM | ||
Psalm 110: IV. Juravit Dominius | Marianna Martines, Salzburger Hofmusik, Wolfgang Brunner | G Minor | 1 | 6A | 79 BPM | ||
Act I - Theodora - Recitative, Aria | Handel, Amor Artis Chorale, English Chamber Orchestra | F Major | 1 | 7B | 129 BPM | ||
Act I - Messenger - Recitative; Irene - Recitative, Aria | Handel, Amor Artis Chorale, English Chamber Orchestra | B Minor | 2 | 10A | 67 BPM | ||
Die Schöpfung HobXXI/2, PART 2: Vollendet ist das große Werk: Chor | Sir Neville Marriner, Südfunk-Chor, Barbara Bonney, Jan-Hendrik Rootering, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart | B♭ Major | 3 | 6B | 111 BPM | ||
Il Giardino d'Amore: Più non m'alletta e piace (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Bruno de Sá | F♯ Minor | 1 | 11A | 98 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": For Iris I Sigh (Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 107 BPM | ||
Qui habitat in adjutorio | Nicola Porpora, Antonio Florio, Rosario Totaro, Coro Mysterium Vocis, La Cappella de'Turchini | A♭ Minor | 1 | 1A | 117 BPM | ||
Orfeo ed Euridice, Wq. 30: Che fiero momento | Christoph Willibald Gluck, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy, Johannes Maria Bogner | C Minor | 1 | 5A | 122 BPM |
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