Robert Schumann, Paul Ji's 'Schumann: Kinderszenen, Op. 15: No. 7, Träumerei' came out on December 4, 2020. The duration of Schumann: Kinderszenen, Op. 15: No. 7, Träumerei is about 3 minutes long, at 3:21. Based on our data, "Schumann: Kinderszenen, Op. 15: No. 7, Träumerei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Piano". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Schumann: Kinderszenen, Op. 15: No. 7, Träumerei is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Schumann: Kinderszenen, Op. 15: No. 7, Träumerei by Robert Schumann, Paul Ji having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasiestücke, Op. 73: 1. Zart und mit Ausdruck | Robert Schumann, Kian Soltani, Aaron Pilsan | A Minor | 0 | 8A | 132 BPM | ||
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | ||
4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Le Carnaval des Animaux, R. 125: XIII. Le Cygne | Camille Saint-Saëns, Neeme Järvi, Bergen Philharmonic Orchestra, Louis Lortie, Hélène Mercier | G Major | 0 | 9B | 84 BPM | ||
Chopin: 24 Préludes, Op. 28: No. 15 in D-Flat Major, "Raindrop" | Frédéric Chopin, Eric Lu | D♭ Major | 0 | 3B | 62 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM |
Section: 0.6626317501068115
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