"Quatuor pour la fin du temps, I/22: VIII. Louange à l'immortalité de Jésus" by Olivier Messiaen, David Krakauer, Jonathan Crow, Matt Haimovitz, Geoffrey Burleson was released on April 7, 2017. Since Quatuor pour la fin du temps, I/22: VIII. Louange à l'immortalité de Jésus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 10 in Akoka: Reframing Messiaen's Quartet for the End of Time by Olivier Messiaen, David Krakauer, Matt Haimovitz, Geoffrey Burleson, Jonathan Crow. Quatuor pour la fin du temps, I/22: VIII. Louange à l'immortalité de Jésus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatuor pour la fin du temps, I/22: VIII. Louange à l'immortalité de Jésus by Olivier Messiaen, David Krakauer, Jonathan Crow, Matt Haimovitz, Geoffrey Burleson is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ligeti : Hamburg Concerto : II Signale, Tanz, Choral | György Ligeti, Reinbert de Leeuw | C Major | 0 | 8B | 75 BPM | ||
Fifteen Hungarian Peasant Songs, Sz 71: Fifteen Hungarian Peasant Songs, Sz 71: Four Old Songs, I. Rubato | Béla Bartók, Alain Planes | A Minor | 0 | 8A | 74 BPM | ||
Vers la flamme, Op. 72: Allegro moderato - Remastered | Alexander Scriabin, Vladimir Horowitz | C Minor | 3 | 5A | 108 BPM | ||
Piano Trio No.2, Op.67: 4. Allegretto - Adagio | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | F♯ Minor | 0 | 11A | 84 BPM | ||
Sequenza III for female voice | Luciano Berio, Luisa Castellani | F Minor | 0 | 4A | 88 BPM | ||
D'un soir triste | Lili Boulanger, Luxembourg Philharmonic Orchestra, Mark Stringer | C Major | 1 | 8B | 84 BPM | ||
Schoenberg / Arr Busoni: 3 Piano Pieces, Op. 11: No. 2 Mässig - Concert version | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 0 | 6B | 97 BPM | ||
Herma | Iannis Xenakis, Stephanos Thomopoulos | C Major | 2 | 8B | 76 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Allegro barbaro, BB 63: Allegro barbaro, Sz. 49 | Béla Bartók, Jenő Jandó | E♭ Major | 1 | 5B | 90 BPM |
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