"7 Canciones Populares Españolas: Nana" by Teresa Berganza, Juan Antonio Alvares Parejo was released on January 1, 1987. With 7 Canciones Populares Españolas: Nana being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Teresa Berganza's "Manuel De Falla: El Corregidor Y La Molinera - 7 Canciones Populares Españolas" album is number 7 out of 9. On top of that, Switzerland appears to be the country where this track was created. 7 Canciones Populares Españolas: Nana is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 7 Canciones Populares Españolas: Nana by Teresa Berganza, Juan Antonio Alvares Parejo to be Lento (slowly) because the track has a tempo of 53 BPM, a half-time of 26BPM, and a double-time of 106 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Clair De Lune Opus 46/2 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Il Trovatore / Act 2: "Stride la vampa!...Mesta è la tua canzon!" | Giuseppe Verdi, Marilyn Horne, Luciano Pavarotti, Peter Knapp, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 1 | 8B | 83 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Turandot: Act I: Signore, ascolta! | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
Carmen, WD 31 / Act II: "Amoureuse... ce n'est pas une raison" - "Halte-là! Qui va là?" | Georges Bizet, Gordon Sandison, Geoffrey Pogson, Yvonne Kenny, Alicia Nafé, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | E♭ Major | 0 | 5B | 88 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 88 BPM | ||
Poema En Forma De Canciones (7-11): Saeta. Dios te salve, Macarena | Teresa Berganza, Juan Antonio Alvares Parejo | A♭ Major | 0 | 4B | 134 BPM | ||
El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Gran Orquesta Sinfonica, Teresa Berganza, Coro De Camara Del Orfeon Donostiarra, Carlos Munguia, Francisco Asenjo Barbieri | G Major | 4 | 9B | 116 BPM | ||
La Rosa del Azafrán: "Sagrario y Juan Pedro" | Coros Cantores De Madrid, Teresa Berganza, Manuel Ausensi | B♭ Major | 4 | 6B | 86 BPM |
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