Sven Salen, Jussi Björling, Orchestra, Bertil Bokstedt made "Sången till havet - 1997 Remastered Version" available on September 22, 2008. The duration of Sången till havet - 1997 Remastered Version is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Sången till havet - 1997 Remastered Version's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jussi Björling's "Icon: Jussi Bjorling" album is number 15 out of 105. In terms of popularity, Sången till havet - 1997 Remastered Version is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Sången till havet - 1997 Remastered Version by Sven Salen, Jussi Björling, Orchestra, Bertil Bokstedt to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sunday in Battery Park | Benny Andersson, Malmö Musikteaters kör & ork | G Major | 2 | 9B | 112 BPM | ||
Puccini: Madama Butterfly, Act 1: "Quale amania vi prende!" (Pinkerton, Sharpless, Goro, Chorus) | Giacomo Puccini, Nicolai Gedda, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | B♭ Major | 3 | 6B | 86 BPM | ||
Puccini: Tosca, Act 2 Scene 5: "Or gli perdono!" (Tosca) | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Chi I'ha richiesto?....Vediam (Colline/Schaunard/Rodolfo/Ragazzi/Marcello/Coro/Musetta) - 1997 Remastered Version | Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | E♭ Major | 5 | 5B | 120 BPM | ||
L'elisir d'amore / Act 1: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | A Major | 2 | 11B | 109 BPM | ||
Un ballo in maschera / Act 3: Ma se m'è forza perderti | Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner Philharmoniker | C Major | 1 | 8B | 71 BPM | ||
Carmen, Act II, No.17 Duo (continued...): Au quartier! pour l'appel (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Minor | 2 | 6A | 89 BPM | ||
Lucia di Lammermoor / Act 3: "Si tragga altrove" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Ljusa kvällar om våren | Benny Andersson, Helen Sjöholm, Anders Ekborg, Malmö Musikteaters kör & ork | C Major | 0 | 8B | 101 BPM | ||
La bohème / Act 3: "Musetta! O gioia della mia dimora! - Testa adorata" - Remastered | Ruggero Leoncavallo, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda | E♭ Minor | 2 | 2A | 82 BPM |
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