Robert Schumann, Mischa Maisky, Orpheus Chamber Orchestra's 'Cello Concerto in A Minor, Op. 129: III. Etwas lebhafter' came out on June 7, 2021. Since Cello Concerto in A Minor, Op. 129: III. Etwas lebhafter is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 79 in the song's album "Schumann - Great Recordings". In this album, this song's track order is #76. Furthermore, we believe that the track originated from Germany. In terms of popularity, Cello Concerto in A Minor, Op. 129: III. Etwas lebhafter is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto in A Minor, Op. 129: III. Etwas lebhafter by Robert Schumann, Mischa Maisky, Orpheus Chamber Orchestra having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Molino: Duo No. 3, Op. 16: I. Andantino | Emmanuel Pahud, Christian Rivet | G Major | 0 | 9B | 167 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Schumann: Liederkreis, Op. 24: No. 8, Anfangs wollt' ich fast verzagen | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | D Minor | 0 | 7A | 175 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM |
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