"Old Skool Extended" by Andy Bianco was released on July 1, 2016. Since Old Skool Extended is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 15 in Aurora, Vol. 1 by Various Artists. The popularity of Old Skool Extended is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Old Skool Extended by Andy Bianco is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude to a Kiss | George Coleman | A Minor | 3 | 8A | 134 BPM | ||
3 Deuces | Randy Brecker, Eric Marienthal | C Major | 5 | 8B | 78 BPM | ||
Remember Rockefeller at Attica - 2023 Remaster | Charles Mingus | F Minor | 4 | 4A | 107 BPM | ||
In the Dark with You | Skip Peck | C Minor | 3 | 5A | 67 BPM | ||
Full of Grace and Tenderness | Ron Komie | D Minor | 2 | 7A | 77 BPM | ||
We've Gone As Far As We Can Go | Bob Enos | C Major | 4 | 8B | 125 BPM | ||
Beautiful Love | New York Bar Quartett | A Minor | 4 | 8A | 118 BPM | ||
Ebb And Flow | Art Hirahara, Yoshi Waki, Dan Aran | B♭ Major | 3 | 6B | 125 BPM | ||
Bonnie Rose | Al Foster | B♭ Minor | 2 | 3A | 128 BPM | ||
The Judge | Peter Beets, Reginald Veal, Herlin Riley | A♭ Major | 4 | 4B | 125 BPM |
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