"The Nutcracker, Op. 71, TH 14 / Act 1: No. 7 The Nutcracker Battles the Army of the Mouse King - He Wins and Is Transformed into Prince Charming - Live at Walt Disney Concert Hall, Los Angeles / 2013" by Pyotr Ilyich Tchaikovsky, Los Angeles Philharmonic, Gustavo Dudamel was released on January 8, 2022. The duration of The Nutcracker, Op. 71, TH 14 / Act 1: No. 7 The Nutcracker Battles the Army of the Mouse King - He Wins and Is Transformed into Prince Charming - Live at Walt Disney Concert Hall, Los Angeles / 2013 is about 3 minutes long, at 3:15. Based on our data, "The Nutcracker, Op. 71, TH 14 / Act 1: No. 7 The Nutcracker Battles the Army of the Mouse King - He Wins and Is Transformed into Prince Charming - Live at Walt Disney Concert Hall, Los Angeles / 2013" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 92 in the song's album "Start 2022 with Tchaikovsky". In this album, this song's track order is #90. Based on our statistics, The Nutcracker, Op. 71, TH 14 / Act 1: No. 7 The Nutcracker Battles the Army of the Mouse King - He Wins and Is Transformed into Prince Charming - Live at Walt Disney Concert Hall, Los Angeles / 2013's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Nutcracker, Op. 71, TH 14 / Act 1: No. 7 The Nutcracker Battles the Army of the Mouse King - He Wins and Is Transformed into Prince Charming - Live at Walt Disney Concert Hall, Los Angeles / 2013 by Pyotr Ilyich Tchaikovsky, Los Angeles Philharmonic, Gustavo Dudamel having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
Caprice viennois | Fritz Kreisler, Isaac Stern, János Rolla, Franz Liszt Chamber Orchestra | B Major | 1 | 1B | 89 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Sylvia, Suite: 3. Pizzicati | Léo Delibes, Gothenburg Symphony Orchestra, Neeme Järvi | C Minor | 1 | 5A | 142 BPM |
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