Erik Satie, Jean-Yves Thibaudet's 'Vieux sequins et vieilles cuirasses: 3. La défaite des Cimbres (Cauchemar)' came out on December 27, 2021. The duration of Vieux sequins et vieilles cuirasses: 3. La défaite des Cimbres (Cauchemar) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Vieux sequins et vieilles cuirasses: 3. La défaite des Cimbres (Cauchemar)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 183 out of 195 in Classical for Winter: Satie by Erik Satie, Various Artists. Based on our statistics, Vieux sequins et vieilles cuirasses: 3. La défaite des Cimbres (Cauchemar)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Vieux sequins et vieilles cuirasses: 3. La défaite des Cimbres (Cauchemar) by Erik Satie, Jean-Yves Thibaudet is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dances for Harp and Orchestra, L. 103: 2. Danse profane | Lavinia Meijer, Amsterdam Sinfonietta | G Major | 1 | 9B | 142 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Wishing | Alexis Ffrench | E♭ Major | 1 | 5B | 73 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM | ||
Lagoon of Forgotten Dreams (Laguna de los Sueños Olvidados) | Julián Fueyo | D Minor | 0 | 7A | 77 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM |
Section: 0.7650501728057861
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