Francesco da Milano, Atrium Musicae de Madrid, Gregorio Paniagua made "Spagna Contrapunto" available on January 28, 1986. With Spagna Contrapunto being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Atrium Musicae de Madrid, Gregorio Paniagua's "Madrid Atrium Musicae: Three Centuries of La Spagna" album is number 1 out of 32. On top of that, Sweden appears to be the country where this track was created. The popularity of Spagna Contrapunto is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Spagna Contrapunto by Francesco da Milano, Atrium Musicae de Madrid, Gregorio Paniagua to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zappay [lo campo] | Capella de Ministrers, Carles Magraner | C Major | 3 | 8B | 115 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Soneto II | Enríquez de Valderrábano, Shirley Rumsey | F Major | 1 | 7B | 144 BPM | ||
L'Orfeo, SV 318: Act I: Io non diro qual sia nel tuo gioir (Euridice) | Claudio Monteverdi, Emanuela Galli, Mirko Guadagnini, Marina de Liso, Cristina Calzolari, Matteo Bellotto, José Maria Lo Monaco, Salvo Vitale, Vincenzo di Donato, Francesca Cassinari, Giovanni Caccamo, Makoto Sakurada, Claudio Cavina, Tony Corradini, La Venexiana | E Minor | 1 | 9A | 0 BPM | ||
Improvisation for Sikus, Bass and Guitar | Henry Villca suntura, Henry Villca, Robert Nairn, Eligio Quinteiro | B Major | 1 | 1B | 138 BPM | ||
The Queen's Funeral March, Z. 860 | Henry Purcell, Les Trompettes des Plaisirs, Jean-François Madeuf | D♭ Major | 0 | 3B | 86 BPM | ||
Gallardas | Rolf Lislevand, Santiago De Murcia | D♭ Minor | 1 | 12A | 78 BPM | ||
Paysanos | Rolf Lislevand, Santiago De Murcia | F♯ Minor | 0 | 11A | 93 BPM | ||
Terpsichore*: La Bouree | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | D Major | 4 | 10B | 106 BPM | ||
Two Studies on Ancient Greek Scales: 1) Olympos' Pentatonic 2) Archytas' Enharmonic | Harry Partch, Kronos Quartet | C Minor | 0 | 5A | 88 BPM |
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