Vladimir Horowitz's 'Kreisleriana, Op. 16: 8. Schnell und spielend' came out on 1962. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Schumann: Kreisleriana, Op. 16; Wieck-Variations; Kinderszenen, Op. 15; Toccata in C Major, Op. 7". In this album, this song's track order is #9. In terms of popularity, Kreisleriana, Op. 16: 8. Schnell und spielend is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Kreisleriana, Op. 16: 8. Schnell und spielend by Vladimir Horowitz having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Sonata in B-Flat Major, D. 960: IV. Allegro ma non troppo | Franz Schubert, Vladimir Horowitz | B♭ Major | 1 | 6B | 79 BPM | ||
Sonata in D Major, L 465 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Etude Op. 10 no. 4 in c sharp minor | Valentina Lisitsa | F♯ Minor | 2 | 11A | 92 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
Variations on a Theme by Rode "La Ricordanza", Op. 23: III. Variation II: Stesso tempo | Carl Czerny, Vladimir Horowitz, Fritz Reiner, RCA Victor Symphony Orchestra | B♭ Major | 2 | 6B | 104 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM |
Section: 1.2213170528411865
End: 1.2245826721191406